Remy
Cooper

Anywhere from first direction and songwriting to production, vocal production, mix / engineering or mastering. I can stay with a record throughout, or join for the one phase where another perspective makes the difference.

The artist’s point of view stays central. I bring direction, ideas and a strong opinion when it helps, but the aim is to make your world clearer and more convincing — not replace it with mine.

Both. Some projects start in a room together, others move quickly through remote sessions and focused feedback. We choose the setup that serves the record and the people making it.

We agree on clear feedback moments before starting. I prefer consolidated, specific notes so every round moves the record forward rather than sending it in circles.

It depends on the phase, ambition and availability. A focused mix can move quickly; a production or artist-development trajectory needs more room. I’ll give you a realistic schedule after hearing the music and scope.

The agreement depends on my role and the project scope. Any master rights, producer points and publishing splits are discussed openly and put in writing before we start. I don’t publish fixed percentages because the work is never one-size-fits-all.

Sometimes — for example session musicians, studio hire, vocal editing or specialist mastering. Those are never added silently: we discuss and approve them before booking anything.

I listen first. If the project feels like a strong fit, I’ll reply with the most useful next step — usually a few initial thoughts and an invitation to talk. If another scope or person makes more sense, I’ll say that honestly too.